Fall brings with it a couple of annual traditions: a yearly run for breast cancer, both in memory of my late aunt who was diagnosed in 1999 and in support of survivors and their families; and a jaunt to the local international film festival, be it the Calgary International Film Festival, Hot Docs in Toronto, or the New York Film Festival - I've been lucky to sample some fine films over the past couple of years.
In Calgary it's been a tradition for the past three years to run with family and friends in Canada's CIBC Race For The Cure - an event I've dearly missed participating in the past couple of years. Last Fall though, I enjoyed running in a race for breast cancer in New York through a sunny Central Park, and this year I once again dusted off the ol' running shoes and participated in Vancouver's Race For The Cure.
Fortunately the rain held off and it ended up to be a perfectly overcast but bright day for a run. As the race began there was a gospel choir on a stage belting out Love Will Lift You Higher And Higher - an inspiring way to start. And of course it also didn't hurt running beside lot's of cute woman. The ratio of men to woman actually didn't hit me until I went to the washrooms at B.C. Stadium, and the woman were spilling over into the men's washrooms. One guy at the urinal even turned to me and said, "This just doesn't feel right," as twenty or so woman line-up at the stalls behind us.
Unfortunatly I missed my personal best time by eight minutes - running the 5 kilometers in about thirty minutes, but in the end I was just happy just to be able run all the way through. Between my attempts at jumping back onto the volleyball court, and hammering out this run, I was sadly reminded that I not in very good shape these days. But thanks to all of you who supported me in the run - I really appreciate the donations you sent along.
After the run I took in more of theVancouver International Film Festival. I've managed to see four films so far. Two films were from Quebec - La Neuvaine, a slow paced melancholic film that spoke to me about care, hope and presence in the face of tragedy and despair, and Their Brother's Keeper - Orphaned by AIDS, a wonderfully intimate documentary looking at how the AIDS pandemic is creating sibling families throughout Africa - kids raising kids as their parents die before them.
The other two films were a Korean costume swordplay thriller called Duelist - an entertaining and often funny romp that the director said was a metaphor for clashes in love and romance, and Estamira - a beautifully shot film chronicling a 63 year old woman's affliction with schizophrenia, in the garbage dumps near Rio de Janeiro. To me Estamira brilliantly juxtaposes the rape of a woman, and the rape of the earth - and some of the subtle and glaring consequences from the brutality of each. It's hard to listen to the main character's angry rants sometimes, but you begin to understand them as you begin to hear more about her past. I don't know if I was reading into it too much, but even Estamira daughter admits that you hear much truth welling up from Estamira despite her psychosis.
All four films were great, but I'd highly recommend Their Brother's Keeper and Estamira. Both are quite heavy films to bear, but they are well worth the watch. I've finally gone through the listing of the 300 or so films playing at the festival, and I hope to squeeze in as many screenings as my body and schedule can handle.

